篆刻作文？老师告诉我们，篆刻3个重要的要点，就是“稳”、“准”、“狠”，多了得到了老师的提示，我进步多了，对篆刻的兴趣也多了。回家我想让妈妈试试，妈妈和我学之前的想法一样，结果也是刻的歪歪斜斜的，原来做任何事都不是轻易成功的，是要努力的，我一定要学好篆刻。那么，篆刻作文？一起来了解一下吧。
When foreigners negotiate, or register in certain areas of China, they may be surprised at Chinese' special fondness and preference for seals. To Chinese, seals are an art of deep cultural roots, which combines the essence of both calligraphy and engraving and inspires generations to study, to appreciate and to collect.
It is believed that seals came out as early as 8,000 years ago after our ancestors could make pottery wares and had private property. They were assumed to make marks on their own possessions to prevent theft. When the first dynasty was established, the king began to use seals to empower and to show lordly credits. Only the king's special seal was then called 'Xi', which represented the highest authority. The first emperor of China, Qin Shi Huang, had his 'Xi' made out of the invaluable and beautiful jade 'Heshi Bi'.
Then followed the local governments who needed seals for similar function. Simultaneously private seals were carved in a variety of auspicious characters and vivid animal patterns. Gradually the sphragistics came into being. Now many collectors' favorites are of that kind.
The heyday of seal history was during the Ming (1368-1644) and Qing (1644-1911) Dynasties when the feudal arts flourished. As wash paintings thrived, artists stamped their seal on the 'xuan,' a special kind of high quality paper used for painted scrolls in order to identify themselves and to add interest. Various sects of carving were erected by noted seal cutting sculptors.
The title, "Father of Seal Engraving" definitely belongs to Wen Peng, the son of Wen Zhenming, one of China's most famous calligraphers and painters. The charm of Wen Peng's engraving lay in the dainty mellowness of the cut and the elegant, flying characters. Although a master of his craft, what makes him the 'Father of Seal Engraving' was his ingenuity in introducing a longer lasting more durable material for seals. One day, the story goes, Wen Peng met an old man selling stones for women's headdress. The man was having a difficult time selling the stones; potential buyers had all proposed unreasonably low prices. When Wen Peng saw the stones, it suddenly occurred to him that they could be used as seals. He bought the stones at a high price, helping the old man out of his predicament. When he returned home, he cut the stones with great strength, producing the most delicate of seals. The first stone seal emerged. Until that time, seals had been made of bronze or pottery.
Another noted seal engraver was He Zhen of the late Ming Dynasty. He used the graver steadily and neatly with strength and vigor, and the curves of each character were quite clear and harmonious. His works stopped the vogue of affectation and influenced the engravers of the Qing Dynasty.
The genre of seal is greatly determined by the strength and speed of wrist and hand. Seals, like a person's character, are distinctive from each other. A sanguine seal engraver makes deft and buoyant strokes while a sober person makes careful and neat ones.
Seal carving also requires choice materials like metal, jade, animal teeth and horns, pottery, bamboo, fruit-pits, and stones. A good material should feel slippery, smooth, cool at first but warm after a second; when cut, it should have certain flexibility. Qingtian stone, Tianhuang stone, Balin stone and 'chicken's blood stone' (Jixue shi) are all first-class materials among stones used for seal cutting. Tianhuang stone features its translucency; 'chicken's blood stone, the red dapples.
我逐一欣赏里的作品，其中一组“西湖十景”的篆刻作品吸引了我。我先瞧瞧简介，再看看那些让人眼花缭乱的古字儿，对图章的字儿有了初步的了解。“这是‘龙井问茶’，这是‘虎跑梦泉’……”我自言自语道。我开始了仔细欣赏。瞧，那“吴山天冈”四个笔划长短各异，“龙井”二字在上面，下面有个大杯茶，中间有“问茶”二字。
经过这次欣赏篆刻作品，我深深地被篆刻这门艺术吸引住了。我经常在像皮上刻些字，渴望刻得像“西湖十景”那么好，但我毕竟有正规学过篆刻，因此大多数都刻得很难看。我盼望自己能正规学习篆刻。
放学后，我回到家里拿起刀就开始刻。我先从“月”字的弯弯角儿下刀。一刀切一点，全神贯注地刻。“月”的外框刻好了，开始刻中间。刻中间有一定难度，我更是聚会神地一刀切一点，留下了一竖，在一个凹处用劲一刻，一块没线条的石块刻下来了。“月”字的轮廓就出来了，稍加修整，我开始刻边。我以为边是直通通的，可用冲刀，就使劲刻过去。一不小心，石头刻破了，手也划了一道口子，直尚鲜血，但不怎么痛，我包上了“创可贴”。看了看章，还好，只是划一道细线，我开始刻“日”字，它比“月”字好刻，所以我很快地刻好了。把章蘸上印泥，印在纸上，果然颇为满意，就是有些粗糙。
在平日的学习、工作和生活里，许多人都写过作文吧，写作文是培养人们的观察力、联想力、想象力、思考力和记忆力的重要手段。一篇什么样的作文才能称之为优秀作文呢？以下是我收集整理的介绍篆刻作文700字，供大家参考借鉴，希望可以帮助到有需要的朋友。
沿着幽曲的小径，推开一扇古朴的门，我们来到了篆刻世家王奶奶的小小陈列馆。
站在玻璃窗前，我们仔细地端详，无论是古朴浑厚的古玺，还是平稳端庄或婉转流畅的小印，都让我们好奇满满。
“篆刻虽小道，非不学与不知书者所能也！”王奶奶迎上前来，语重心长地对我们说，“我带你们去体验一下吧！”我心里暗想：不就是在一块石头上刻几个字嘛，有什么难的。
我们尾随着王奶奶来到了一个房间，里面摆满了各种篆刻工具，有石料、木块、刻刀等。王奶奶先从柜子里拿出了几块长方体的玉石，接着问了我们名字后，在电脑上打出了好几种字体的“郭易”，有的弯弯曲曲，有的方方正正，然后一边把它贴在石头上，一边给我们介绍道：“篆刻，就是以刀代笔，在印材上按照已经写好的书法或画好的图像，进行刻写。它是中国一门独特的传统艺术。”只见此时的王奶奶手持刻刀游刃于一方青石之上，细琢慢雕浅浅地勾画着。不一会儿，磨出的白粉末已堆成了小山，一枚精致又小巧的印章诞生了。
篆刻心得
它，是一种拥有三千多年历史的古老的艺术；它，是一种从秦汉一直延用至今的权威的信物；它，曾一度被人们视为雕虫小技，而今又重新崛起，傲然挺立于艺术之巅。
它是什么？2008年北京奥运会会徽的发布，把它的形象传遍了世界的每一个角落，使每一个人都认识了它。十三亿中华儿女认识它了，六十亿世界人民也认识它了。它，就是——篆刻。
我刚开始可得时候，以为篆刻很简单，没想到一刻，竖横都歪歪斜斜，有时还冲过去，石头的面都刻得乱七八糟，刻了两百多条，才刻直。把以前的作品，和最近的作品相比，真是天壤之别呀！
现在我刻地渐渐好多了，也受了老师的表扬，但我没骄傲，相信会更上一层楼
篆刻是一种集诗、书、画、美学、雕刻于一身的一门综合艺术，而心态本身就是一门艺术，有喜有忧，有悲有欢。如果一个人内心过于激烈，那么他的作品也会与他的性格大体相同，反之，如果一个人内心过于平庸，没有嬉笑怒骂，那么他的作品也定会甚俗，一个有形而无神之人创作出来的作品亦会有形无神。
我坚信：有志者，事竟成，破釜沉舟，百二秦关终属楚；苦心人，天不负，卧薪尝胆，三千越甲可吞吴。”在今后的日子里，认真学习篆刻，取得好成绩。
第一次学篆刻（原创）
暑假里，我在以前学书法的地方学习篆刻，在学之前，我觉得很简单，只是拿着刀在石头上刻几条线就可以完工了，可是事实并非是你想象的那样简单，任何事都要去努力才能成功，学篆刻告诉我这样一个道理。
星期天，我怀着好奇又激动的心情来到书法馆，等老师上课，徐老师先让我们了解石头。石头的种类还真多，田黄石、白昌华、荔枝冻、鸡血石、兰花青田、五彩冻、封门青、巴林石……这些石头五彩缤纷，可惜的是我们只能在图片上观赏到，不能亲眼看到，接着老师介绍了其它几种工具，了解了什么什么是篆刻。我们就真枪实弹的开工啦，老师告诉我们石头上有一层腊,把腊磨掉才能刻，磨掉了腊，老师又给我们一个任务，我们凑到老师那，看老师做示范，老师拿起我的石头和刻刀，开始刻起来，告诉我们刻的细节，我们就拿起刻刀，迫不及待地刻起来，谁知道，老师刻的简单的一横，我们刻的就歪歪扭扭，刻出来的就像粉笔画的，都没有凹下去，刻的没有一个合格。老师告诉我们，篆刻3个重要的要点，就是“稳”、“准”、“狠”，多了得到了老师的提示，我进步多了，对篆刻的兴趣也多了。
回家我想让妈妈试试，妈妈和我学之前的想法一样，结果也是刻的歪歪斜斜的，原来做任何事都不是轻易成功的，是要努力的，我一定要学好篆刻。
以上就是篆刻作文的全部内容，“篆刻虽小道，非不学与不知书者所能也！”王奶奶迎上前来，语重心长地对我们说，“我带你们去体验一下吧！”我心里暗想：不就是在一块石头上刻几个字嘛，有什么难的。我们尾随着王奶奶来到了一个房间，里面摆满了各种篆刻工具，有石料、木块、刻刀等。内容来源于互联网，信息真伪需自行辨别。如有侵权请联系删除。
