关于京剧的英语作文？peking opera peking opera is one of the Chinese culture.It is also called"The quintessence of Chinese culture" It is consist of "sheng,生，dan旦，jing净，chou丑" the" Line of business"You maybe ask:What's sheng dan jing chou?Sheng means 老生，小生，武生，那么，关于京剧的英语作文？一起来了解一下吧。
Now let me say something about Beijing Opera. Beijing Opera is very popular in China. It has a history of more than 200 years. During the reign of the Qianlong emperor in the Qing dynasty, Qianlong had a interest in the local opera. In 1790, to celebrate his eightieth birthday, he summoned opera troupes from different places to perform for him in Beijing. Four famous troupes from Anhui province remained in Beijing after the celebration. In 1828, A Hubei troupe came to Beijing and often performed together with the Anhui troupes. The two types of singing mixed together and gradually a new type came into being known as Beijing Opera. Now is the performance. I hope you will like it.
Beijing opera or Peking opera is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics.The Peking opera painted face refers to the unique colorful make－up of an actor in the opera. It is characterized by the use of bright colors to exaggerate or distort his features.In Peking opera, red is the color of loyalty and bravery, and yellow suggests old age. Blue is the sign of a rebellious character. White symbolizes treachery. Black signifies good vigorous character. Gold and silver are used on faces of deities, spirits and demons.And the Beijing opera costumes are also various and beautiful.We can tell them from the kinds and color of flowers in the costuumes.In a word ,Peking opera is such an intereting and beautiful art.
京剧，曾称平剧，是中国五大戏曲剧种之一！腔调以西皮、二黄为主，用胡琴和锣鼓等伴奏，被视为中国国粹，那你想知道京剧英语作文怎么写吗?下面是收集整理的一些京剧英语作文，大家一起来看看吧!
京剧英语作文怎么写篇一：
Beijing opera or Peking opera (simplified Chinese: 京剧; traditional Chinese: 京剧; pinyin: Jīngjù) is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th century.[1] The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China.[2] Major performance troupes are based in Beijing and Tianjin in the north, and Shanghai in the south.[3] The art form is also enjoyed in Taiwan, where it is known as Guoju (国剧; pinyin: Guójù). It has also spread to other countries such as the United States and Japan.[4]
Beijing opera features four main types of performers. Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Beijing opera's characteristically sparse stage. They utilize the skills of speech, song, dance, and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production.[5] The layers of meaning within each movement must be expressed in time with music. The music of Beijing opera can be divided into the Xipi and Erhuang styles. Melodies include arias, fixed-tune melodies, and percussion patterns.[6] The repertoire of Beijing opera includes over 1,400 works, which are based on Chinese history, folklore, and, increasingly, contemporary life.[7]
In recent years, Beijing opera has attempted numerous reforms in response to sagging audience numbers. These reforms, which include improving performance quality, adapting new performance elements, and performing new and original plays, have met with mixed success. Some Western works have been adopted as new plays, but a lack of funding and an adverse political climate have left Beijing opera's fate uncertain as the form enters the 21st century.
京剧英语作文怎么写篇二：
京剧的由来 The History of Peking Opera
Peking Opera, China's "national essence", national opera, has been 200 years old, enjoying high reputation both at home and abroad. It was form in Beijing. According to legend, in the region of Qianlong of the Qing Dynasty, Qianlong was interested in local drama. In 1790, to celebrate his 80th birthday, Qianlong gathered together various local theaters performing for him, of which four troupes from Anhui province stayed in Beijing after the celebration. In 1828, a troupe of Hubei came to Beijing. Hereafter, these troupes often performed together, and the two groups gradually formed a new theatrical form, known as Peking Opera. It was popular in the 1930s and 1940s. Now it's the representative of the modern Chinese Han opera as well as a opera of world-class.
京剧，中国的国粹，国剧，至今已有200多年的历史，在国内外享有很高的声誉。
Peking Opera, previously known as pingju, is among the five major types of Chinese opera. The stage design emphasizes freehand brushwork, with a primary focus on the xipi and erhuang melodies, complemented by the sounds of huqin strings and percussion instruments. It is considered the epitome of Chinese culture and tops the list of Chinese operas. Peking Opera is performed worldwide, with Beijing at its center and spread throughout China. It has become a crucial medium for introducing and spreading traditional Chinese art and culture. On November 16, 2010, Peking Opera was included in the Representative List of the Intangible Cultural Heritage of Humanity.
In terms of roles, Peking Opera categorizes them into four main types:
1. Sheng: This category encompasses male positive characters excluding花脸 (face paint characters) and 丑角 (clowns). It is further divided into 老生 (senior roles), 武生 (martial roles), 小生 (young roles), 红生 (red-faced roles), and 娃娃生 (child roles).
2. Dan: Female positive characters are collectively referred to as旦, which includes 青衣 (primary female roles), 花旦 (flower girls), 闺门旦 (maidens), 刀马旦 (sword and horse girls), 武旦 (martial girls), and 彩旦 (colorful girls).
3. Jin: Commonly known as花脸, these roles typically portray male characters with distinctive personalities, appearances, or traits. They are recognizable by their facial makeup and have a bold and robust singing style. The jin category is further split into 大花脸 (major flower faces), 架子花 (supporting flower faces), 武二花 (martial second faces), 摔打花 (throwing and fighting faces), and 油花 (oily faces, also referred to as 毛净 maojing).
4. Chou: These are comic roles, often identifiable by a small white patch on the bridge of the nose, and are known as小花脸. There are two main types: 文丑 (civilian clowns), which include 方巾丑 (square hat clowns), 袍带丑 (robe and sash clowns), 老丑 (old clowns), and 荣衣丑 (honored clowns), as well as 武丑 (martial clowns), also known as 开口跳 (open mouth leap). Each role type has its unique set of performance techniques and artistic characteristics in terms of singing, acting, dance, and combat.
Beijing opera or Peking opera (simplified Chinese: 京剧; traditional Chinese: 京剧; pinyin: Jīngjù) is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th century.[1] The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China.[2] Major performance troupes are based in Beijing and Tianjin in the north, and Shanghai in the south.[3] The art form is also enjoyed in Taiwan, where it is known as Guoju . It has also spread to other countries such as the United States and Japan.[4]
Beijing opera features four main types of performers. Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Beijing opera's characteristically sparse stage. They utilize the skills of speech, song, dance, and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production.[5] The layers of meaning within each movement must be expressed in timewith music. The music of Beijing opera can be divided into the Xipi and Erhuang styles. Melodies include arias, fixed-tune melodies, and percussion patterns.[6] The repertoire of Beijing opera includes over 1,400 works, which are based on Chinese history, folklore, and, increasingly, contemporary life.[7]
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以上就是关于京剧的英语作文的全部内容，new dynamics of urban sociability, and new representations of gender, while at the same time serving as a symbol for a traditional culture that many sensed was receding under the pressures of modernization.参考资料：浙江大学，邵佳，《戏剧翻译与文化——京剧翻译初探》，11－12页。内容来源于互联网，信息真伪需自行辨别。如有侵权请联系删除。
